THE GREAT GOD : THE SOFT ANNOUNCEMENT

 

TG/THE GOD/THE GREAT GOD KE SAATH INDIAN CINEMA BANAAM BHARTIYA CINEMA KE GADDARON NE VISHWASGHAAT KIYA,

ISHWAR & INSAAN KE SAATH VISHWASHGHAAT KAR ACTIVITY KO SAHEE SIDDH KARNE LAGE !

#ALL CELEBRATY #ALL STAR #PRESIDENT #PM #CM #RULER #SOCIAL WORKERS

THE GREAT GOD : WHAT IS SOLUTION

 

THE GREAT GOD : BELIEF & BELIEVE

 

WHY DID THE ROLE OF/FOR SADEE KE MAHANAYAK THE KING OF PALACE TRANSFER TO KAMAL HASAN (EVEN IF HE4 DID NOT KNOW THE TRUTH) ?

WHO IS RESPONSIBLE FOR IT ?

ARE ANY OF ONE/ALL OF YOU MADE HIM/SADEE KE MAHANAAYAK !

WHY YOU DID SO MISTAKE --A HUGE MISTAKE !

THE PERSON/THE SPECIES WHO COMES WITH HIS PREVIOUS MANY BIRTH'S KARMA TO THIS HUGE STAGE AND GET SUCH POPULARITY, NAME & FAME --WHEN I HAD DESCRIBED IN MESSAGES THESE THINGS ALSO --AFTERTHAT ALL OF THESE CALLING AWARENESS AND PRECAUTIONS --WHY YOU/ALL DID IT !

WHY YOU ERASED THE ROLE OF SADEE KE MAHANAAYAK ?

WHY ?

WHO WILL FILL UP THIS ROLE DAMAGE --!

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EK VAISHVIK RACHANA KIS PRAKAAR VANSHWAAD & KSHETRAWAAD KA SHIKAAR HOTEE HAI; IS BAAT KA YAH EK APRATEEM UDAAHARAN HAI !

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ONE/MORE THAN ONE SIDE YOU ALL ARE/WERE DECIEVING THE WRITER --SEE' THIS NEGATIVITY TOOK HIM ALL OF INVOLVED YOU TO VANSHWAAD AND KSHETRAWAAD

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AAPNE SADEE KE MAHANAAYAK KA BANKAR BHI UNHEE KA ROLE NAST KAR DIA 

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AGAR AAP JAISE MITRA HON KISEE KE TO PHIR DUSHMANON KI JAROORAT KYA HAI !

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[ AAPLOG MILKAR SADEE KE MAHANAAYAK KA ROLE NAST HONE SE BACHA LIJIE & YAH BHI UTNA HI SACH HAI KI YAH ROLE AS A PALACE KING UNKE LIYE LIKHA GAYA HAI KISEE AUR PAR MAT FILMAIE TISPAR YAH TABHI SAMBHAV HAI JAB WRITER KO AAP RIGHTS DEIN + USKO MUL KAHAANEE MEIN HI FILMAAYEIN --KYUNKI AAPKA FILMAYA AWAIDH HAI ---!

SAMAY ACHCHE AUR BURE SAARE KARMON KA PRAMAAN PATRA BAN JAATA HAI' WO PRAMAAN PATRA KABHI NAST NAHI HOTA --

ABHI BHI WAQT HAI, STOP YOURSELF ! AAPSAB JO GALTEE KAR RAHE HAIN' SUDHAAR LIJIE --KSHANIK LABH KE CHAKKAR MEIN INDIAN FILM INDUSTRY KE VIBHEESHAN/BRUTAS/MAANSINGH/MEER JAAFER MEIN APNA NAAM DARJ MAT KARAIE --]

THE GREAT GOD : THE ABSOLUTE EVENT

 

EVENT

                  

*WRITER @ AMIT KUMAR NAYNAN* is a writer of many novels, poems, stories --: 

                       in persuit of excellence wrote story with screenplay 'TG/THE GOD/THE GREAT GOD'.

12.03.2008 : The story of 'TG' was sent over to Mr. Amitabh Bachchan 'Uncle'

--.10.2008 : WRITER contacted a lawyer of Patna Civil Court who advised him to file an                                     Informatory Petition in the learned court of CJM, Patna.

05.12.2008 :  The petition was drafted but filed on 05/12/2008. The delay was caused by the said                                 lawyer. The petition contained information about eight (8) stories including 'TG/THE GOD/THE GREAT GOD' which were typed at the Techno Park Computer Institute being run by his friend (who later decieved him) Sanjeev Kumar Jha

19/12/2008 : Certified copy of informatory petition obtained.

13/03/2009 : 'TG/THE GOD/THE GREAT GOD' ( The story originally written by WRITER) was                             registered with the FWA, Mumbai.

13/08/2012 : 'TG/THE GOD/THE GREAT GOD' Story upgraded version ( The story originally written by WRITER) again registered with the FWA, Mumbai.

02.04.2017 : WRITER announced TG/The God/The Great God editing upgradation news on  https :// sheetanshukumarsahaykaamrit.blogspot.com

2019 : Film announced with the name of prabhas 21.

--.02.2020 : Prabhas 21 told by mr nag ashwin to mr bachchan as ashwathama tale

25.04.2020 : WRITER's Coronavirus1[Hindi] published on site https :// sheetanshukumarsahaykaamrit.blogspot.com

MAY 2020 : A prabhu (3 may), Treta ka neta(7 may), avatapurus (25 may) published on the internet site https :/sheetanshukumarsahaykaamrit.blogspot.com

27.04.2020 :  Coronavirus 2 [ Hindi ]published on the internet site  https ://sheetanshukumarsahaykaamrit.blogspot.com
02.05.2020 : Coronavirus 3 [ Hindi ], Coronavirus 1 & 2 [ English ] published on the site https :// sheetanshukumarsahaykaamrit.blogspot.com

19.07.2024 : TO WRITER AMIT KUMAR NAYNAN CONFIDENTIAL SOURCES WITHIN SHREE SURI SIR & VARSHAG (WRITER BELIEVE HIM & HER TILL DATE UNDOUGHTLY); BY CONGRATULATION MESSAGE RESPECTED VARSHAG CONGRATULATED HIM

24.07.2021 : Prabhas 21 shooting started.

24.07.2021 : Title prabhas 21 converted as official title project k;.

24.07.2021 : That ashwathama story was not the science story but told that it is a science picture.

2020 : The shooting of project k/kalki 2898 ad started by vyajyanthi movies in direction of             (producer's relative son-in-law) mr naag ashwin.

2020-2023july: News statements given by Film makers, actors related from the film revealed certain facts relating to the idea as originally conceived by the plaintiff.

2020-2024 : Shooting Report :- That the WRITER waited further related information to confirm,  waited for vyajyanthi movies announcement on its official site, media sources (internet ---). time by time coming inputs by news sources confirmed and strengthened the suspicion of the plaintiff that his story titled "TG" has definitely been stolen/leaked to vyajyanthi movies and being made without plaintiff's express consent for making film  based on WRITER's story. and this gave inkling to WRITER that his story/idea/concept has been stolen by film makers who based the story of his film 'project k/kalki 2898 ad'.

2024 : WRITER saw another strong proof of his story a pyramid that has been connected with palace, surrounding a very good natural envirnoment. It was a clear clue and indication that not only epic-science features stolen but also unique characters, characters combination with/beyond than epic-science features are has been illegaly taken also by writer director of project k/kalki 2898 ad. 

2023 july : That Plaintiff found one major incident cleared film makers unauthorised film making planned on the petitioner story. The plaintiff found that project k title based on 'science film' with Mr. Bachchan suddenly converted as title kalki 2898 ad with extending subject 'a science-myth destopian based feature film' with Mr. Bachchan; TITLE CHANGE & SUBJECT EXTENTION AFTER ALL SHOOT cleared that Film makers turned the title and subjective version in inlarge mode after shooting complete date; Behind this habit was reason to hide the subjective truth. 

21.07.2023 : That after shoot completion of film the film crew had a promotional programme at comic con, america. Where writer/director of the film mr. naag ashwin told in a live meeting that if hollywood has superman we have hanumanjee. It was a research scene of TG. It gave the clue to plaintiff immediately that story has been stolen and vyajyanthi films has build up upon it, and silently and secretly completed the film. 

21.07.2023 : At comiccon, america the statement that if you have superman we have hanumaanji  made by mr nag ashwin is plaintiff's story content.

21.07.2024 : vyajyanthi movies again changed title project k to kalki 2898 ad in choosing two titles Kaalchakra & kalki 2898 ad both are TG's Part.

21.07.2024 : kaalchakra and kalki avataar both are plaintiff's story script.

2023-24 : Vyajyanthi films released first teasor during 2023-24, A Shankh +Shankhnaad, A dialogue 'Parivartan sansaar ka sabse sthaayee niyam hai', A lab --cleared that content are openly present in it.

2024 : Film makers statement with regard to film that it is a epic sci fi myth based destopian drama is another strong indication that he has not developed that Character but borrowed from TG. 

2024 : Internet record :- When plaintiff visited media sources (internet ---etc.), he got many story related items and news that was released by director of for advertisement of film.

2024 : Paper Records :- From news and newspaper records and the statement of related artists have made it clear that the story of  TG's characters are strongly placed in the film.

--.06.2024 : Konark chakra mentioned in film/news/views is also part of story.

07/06/2024 : Plaintiff sent a legal notice through his lawyer to film makers,  Mr nag ashwin informing him about his rights and till a settlement is reached.

25.07.2024 : First time vyajyanthi movies cleared that LORD SHREE KRISHNA IS PART OF THE FILM THAT MAIN CHARACTER SEQUENCE OF WRITER'S STORY. 

21 jun 2024 : Promo Release :- When WRITER saw the delayed 2nd promo of kalki 2898 ad on vyajyanthi movies official site and internet , he was totally surprised. At promo, it was clear that In Huge manner content and characters of story were present in the film.

7 jun 2024 : WRITER sent a legal notice to film makers but they did not reply which further strentghened WRITER's belief that his concept and story which was sent to Mr. Bachchan has been stolen and utilised for making "project k/kalki 2898 ad".

06/2024 : vyajyanthi movies, Mr nag ashwin, film makers did not reply the legal notice. and Released Film also. no one can have to right to use without main party to use any person's intellectual property in non-financial & financial manner also. 

                     Hence this title petition.

RELIEF : For Injunction/Stay of released film "project k/kalki 2898 ad" & for also "project k/kalki  2898 ad part two" shooting that have been annouced within part one's release week. directed and Produced by vyajyanthi films/movies released on 27.06.2024 MATTER SOLVE. 

#PM #CM #SUPREMECOURT #HOLLYWOOD #OSCAR #CANNES #INDIAN CINEMA #NEWSCHANNEL #DDMETRO #DDNEWS #ZEENEWS #WORLD CINEMA #BBC #JHARKHANDNEWS #AAJTAK #CBI  

THE GREAT GOD : FACT & FACTOR

 

THE GREAT GOD : ONE BY ONE

🌟🌟🌟🕉️🌟🌟🌟

🌟🌟🌟🕉️🌟🌟🌟

THE GREAT GOD : A STARTING NEWS

        अमित कुमार नयनन इस कहानी को लेकर विश्वस्त सूत्रों के माध्यम से मि0 बच्चन बनाम अमिताभ बच्चन के सूत्रों से वार्ता कर रहे थे । अमित कुमार नयनन की  राइटर्स एसोशियऐसन और कॉपीराइट रजिस्टर्ड रचना टीजी/द गॉड/द ग्रेट गॉड आधारित है कल्कि 2898 ए.डी. । 

        अवैध तरीके से कहानी और कंटेट चुराने के आरोप में कल्कि 2898 ए.डी. फिल्म पर केस दर्ज । वैजयंती मूवीज् ने इसे अवैध तरीके से लेकर इसकी कहानी, पात्र, कंटेट, पैटर्न, एलिमेंट वगैरह का इस्तेमाल कर लिया ।

वैजयंती मूवीज् की निर्माण प्रक्रिया भी इसमे संदेहपरक थी । उसने 2020 में इस फिल्म की जब घोषणा की तब इसका टाइटल ऐसा रखा जिससे कहानी की विषय-वस्तु पता न लगे, इसका नाम पहले प्रभास 21 फिर प्रोजेक्ट के रखा ( इसमे प्रभास 21 को टाइटल कहना भी सही नहीं होगा क्यूंकि यह प्रभास की 21वीं  फिल्म बनने जा रही थी' इसलिए इसको सांकेतिक नाम दिया गया कहा जा सकता है) । उस समय इसकी विषय-वस्तु भी मात्र सांइस फिल्म बताई अर्थात् यह साइंस मिथ बेस्ड फिल्म है, इस बात को पूरी तरह छिपाया । इसके बाद जब फिल्म पूरी हो गई तब कालचक्र या कल्कि 2898 ए.डी. में एक टाइटल चुनने की घोषित प्रक्रिया अपनाई, कालचक्र और कल्कि अवतार दोनो ‘द ग्रेट गॉड’ का मुख्य पात्र व मुख्य हिस्सा हैं ।

        तब फिल्म निर्माता ने बताया कि यह साइंस मिथ बेस्ड फिल्म है ।

अमित कुमार नयनन ने फिल्म प्रदर्शन से पूर्व 7 जून 2024 को लीगल नोटिस भेजा तो वैजयंती मूवीज्् ने कोई उतर नहीं दिया । अलबता वैजयंती मूवीज् ने पहला ट्रेलर जो कि मात्र साइंस बेस्ड था, के बाद एहतियातन दूसरा ट्रेलर 21 जून को अर्थात् फिल्म रिलीज से मात्र 6 दिन पूर्व प्रसारित किया जो कि साइंस मिथ बेस्ड था । इसके बाद हिंदी बेल्ट में प्रचार को मधम रखा तथा उसकी ऑफिशियल एडवांस्ड बुकींग भी फिल्म रिलीज से मात्र 2 दिन पूर्व 25 जून 2024 को आरंभ किया ।

अमित कुमार नयनन ने 11 जुलाई 2024 को फाइनली पटना सिविल कोर्ट में सिविल केस 298ध्24 दायर किया । 

        अमित कुमार नयनन ने 11 जुलाई 2024 को फाइनली पटना सिविल कोर्ट में कल्कि 2898 ंएडी के निर्माता-निर्देशक पर सिविल केस 298/24 दायर किया । कल्कि के निर्माता वैजंयती फिल्म के संस्थापक और निर्माता सी अश्विन दता ने अपने सन-इल-ला मि0 नाग अश्विन को प्रमोट करने के लिए ऐसा किया ।

THE GREAT GOD : LO KAR LO BAAT

 

मेरा सौभाग्य है कि मैेंने उस देश में जन्म लिया है जो कला-संस्कृति का देश है, मेरा दुर्भाग्य है कि मैंने उस कालखंड में जन्म लिया है जब इस देश में कला-संस्कृति का अंधकारयुग चल रहा है । कला-संस्कृति के देश में कला कलाकार का अपमान इस हद तक है कि कला में श्रेय लेने का होड़ कला के सौदागरों द्वारा अपने चरम पर है और इसमे मूल कला और कलाकार पहचानना उनकी पहचान बनाए रखना मुष्किल होता जा रहा है । स्थिति यह है कि कला-संस्कृति के देश में कला विलुप्त होती जा रहा है और कला का अंधकारयुग स्थापित होता जा रहा है ।

अब समय आ गया है । कला के सौदागरों पर कार्यवाई होनी चाहिए । कला क्षेत्र को किसी भी देश की सरकार गंभीरता से नहीं लेती । इसलिए उसमे स्थापित अपराध परंपरा बनकर स्थायी रूप लेकर अनवरत् चलते रहते हैं ।

भारत में फिल्मों की कहानियां अधिकतर स्वयं प्रोड्यूसर और डायरेक्टर लिखते हैं । अलबता उसमे भी डायरेक्टर अधिक कहानियां लिखते है । एक प्रकार से फिल्मों की 70 से 75 प्रतिशत कहानियां यही लिखते हैं । अर्थात् फिल्म की कहानियां 70 से 75 प्रतिशत कहानियां लेखक नहीं बल्कि प्रोड्यूसर उनमे भी अधिकतर डायरेक्टर लिखते हैं । इसका मतलब यह हुआ कि कहानी के मामले में कहानी के क्षेत्र में इस कला क्षेत्र पर प्रोड्यूसर-डायरेक्टर का कब्जा है, लेखक जो इस कला का स्पेशलिस्ट होता है उस इस कला के स्पेशलिस्ट का स्थान फिल्म इंडस्ट्री में बमुष्किल 25 से 30 प्रतिशत है । यहां तक भी ठीक है । समस्या तब आती है जब बचे 25 से 30 प्रतिशत में यह अतिक्रमण करते हैं । इसमे भी वह कहानी चोरी करते हैं । रीमॉडलाइज करते हैं । रीमिक्स कर प्रस्तुत करते हैं । राइटर को स्टार्स भी उतना तबज्जो नहीं देते । कहानी को डायरेक्टर के माध्यम से सुनते हैं । डायरेक्टर राइटर पर प्रेशर बनाकर उस कहानी में अपना नाम अमेंडमेंट के नाम पर जोड़ता है, नहीं मानने पर रीमिक्टस-रीमॉडलाइज कर प्रस्तुत करते हैं । इस प्रकार मूल कथाकार की कहानी चोरी होती है, हो रही है, और चलन बन गया है । इसके लिए प्रोडक्शन हाउस और स्टार्स जिम्मेदार हैं । वह कहानीकार से कहानियां क्यों नहीं सुनते ! और उसे किसी और के माध्यम से क्यंु सुनते हैं ? 

और यही रीजन है कि जब भी कहानी चोरी होती है कहानी चोरी में सर्वाधिक बार डायरेक्टर का ही नाम आता है । इसका खामियाजा कलात्मक रूप में अच्छी कहानी पर खराब स्क्रिप्ट और खराब फिल्म के रूप में भी आता है ।   

THE GREAT GOD : BELIEF & BELIEVE

 

'IN THIS FIELD, WHAT IS THE MEANING OF BELIEF & BELIEVE !'

THE GREAT GOD : INDIA THE ART

 

"INDIA MEI ART KI JO STHITI AUR MAHAUL HAI ACHCHI RACHNAON KO BACHAE RAKHNA MUSHKIL HAI !"

"AAP KITNA BHI RAAG ALAAP LIJIE REMIX DIVERT KAR APNEE RACHNA BATANE KA 'APNA BANA LO' KA KHEL KHELENGE HI KHILAADEE !"

THE GREAT GOD : THE ORNA+MENTAL TRUTH

 

 

ISHWAR KO DHOKHA DENEWALE SIRF SWAYAM KO DHOKHA DETE HAIN,

KYUNKI

"ISHWAR KO DHOKHA KOI NAHI DE SAKTA"

AAKHIREE CHARAN MEI MATI PHIR JAATEE HAI

KARN KI TARAH

ISLIE KAHA GAYA HAI

JAISEE MATI WAISEE GATI

JAISEE KARNEE WAISEE BHARNEE

SAMARTH KE NA DOSH GOSAIN

SWAYAM KO RULER MAANNE KA AHANKAR CHHOD DGE,

KYUNKI AAPSAB ISSE BADA KAAM AS A CORDINATOR KAR SAKTE THE

LEKIN DIMAAG LAGA THA MASKHAREE MEI ..EK INNOCENT INSAAN ..EK WRITER KA ADHIKAR CHHEENNE MEI ..ADHIK DIMAAG CHALAYA TO KYA HUA, BHAGWAAN NE DIMAAG KI BATTI AISEE JALAI KI PAHLE MATI HI PHIRA DI . BUDDHI HI BHRAST KAR DI

KAHAANEE KO REMIX KARNE KI KOSHISH MEI KAHAANEE KA BEDA GARK KAR DIA

TISPAR' SWAYAM KO SAHI THAHRANE KI KOSHISH ..

KI ..LO ..AGAR AUR HALLA KAROGE TO AUR BHI INPUTS DALENGE ..

ULTEE DISHA MEI JANE SE ULTEE HI HOTEE HAI ..

BEEMAAREE THIK NAHI HOTEE ..

SWAYAM KO GALAT KAR BHI SAHI THAHRANE KI KOSHISH ..BALKI HEKADEE KISEE KAAM KI NAHI ..

KYUNKI ..

REMIX ..DIVERTED ..SO ON ..KI AADAT WALE KALAKAARON ..

SATYA KA NIRMAAN

TUMSE NA HO PAEGA !

THE GREAT GOD : THE A+ONE VISION

 

THE GREAT GOD : TO THE WRITERS

 

ABHI AAJ KE DAUR MEI INDIAN FILM INDUSTRY MEI KALA KA JO MAHAUL HAI USKE MADDENAJAR YAH LAGTA HAI KI SAMAY AANE MEI KUCHH SAMAY HAI ..ISKE LIE ABHII VARSON TAK PRATEEKSHA KARNEE HOGEE !!

"WRITERS ! 

AAPKO CHAHE KITNE BHI PRAKAAR SE BAHLAYA FUSLAYA BAHKAYA JAE ..

AAPKO CHAHE KITNE BHI PRAKAAR SE & KE PRALOBHAN DIE JAEN ..

BALKI FLAAN-FLAAN, YE-WO, NANA-DADA PRAKAAR KE PRALOBHAN KYUN NA DIE JAEIN ..

KABHI BHI ISKE PRALOBHAN MEI MAT AANA ..

..

KALAM MAT BECHNA ..

..

KYUNKI ..

IS KALAM KI KEEMAT UNKE DWARA DIE JA RAHE TAMAAM MULYON SE BADEE HAI ..

TABHI TO WO ISKEE KEEMAT KISEE AUR RUP MEI CHUKANE KI KOSHISH KAR RAHE HAIN ..

KAI MARTABA KAI RUP MEI SADIYON SE ..

..

EK KALAM KE DHANEE KO YAH GYAAN BHI DENE KI JAROORAT NAHI ..

PHIR BHI ....

AMOOMAN KAI BAAR' GYAANIYON SE BHI BHUL HO JAATEE HAI ..

ISLIE YAH KAH DIA ..BATA DIA ..

..

APNEE KEEMAT SAMAJHO NA SAMJHO ..APNE KALAM KI KEEMAT AVASHYA SAMJHO ..KYUNKI USSE HI TUMHAREE PEHCHAAN HAI ..

..

IS KALAM KA GYAAN KA NIRAADAR MAT KARNA ..

..

AVAMASTU*

.

THE GREAT GOD : TO THE SOURCES

 

TO THE SOURCES,

WITHIN

STAR & ALL BASIC*

[ PROCEED KARNE SE PAHLE SPASAT RUP SE SPAST KAR DUN KI SHREE SURI SIR & VARSHAG PURN VISHWAST HAIN, ATAH YAH COLUMN UNKE SANDARBH MEI NAHI LIKHA YA KAHA JA RAHA ..PROCEED ..]

AAP LOGO KO KYA ADHIKAR HAI, 

KISEE KE ADHIKAR KO CHHENNE KA

AAPKO KYA ADHIKAR HAI, APNE CELEBRATY BANAAM ICON KO MISGUIDE KARNE KA

AAPKO KYA ADHIKAR HAI ..

AAP LOGO NE HI VIVIDH KSHETRON MEI RAHKAR NA JANE KITNE KARNAME KIE KI USKEE KEEMAT KABHI RASTRA CHUKATA HAI KABHI INSAANIYAT ..

AAPKO TO CELEBLS KA SWATAH LABH TO MILTA HI HAI ..

AAP CO-ORDINATOR HAIN ..

AAPKI JIMMEDAAREE KAHIN ADHIK HAI ..

AAPKO ADHIK JIMMEDAAR BANNA HOGA ADHIK HI ..

THE GREAT GOD : THE ALONE TRUTH

 

"ART FIELD KO KOI GAMBHEERATA SE NAHI LETA MAGAR ART FIELD MEI GAMBHIR APARADH HO RAHE HAIN !!"

THE GREAT GOD : WHAT & HOW

 

"AKHIR KYUN ..& ..KAISE HUA YAH SAB ..WAISE SABKUCH TO COURT MEI PRESENT KAR HI DIA HAI,

LEKIN CHUKI CONFUSION NA HO ATAH KRAMBADH VARNIT HAI ..

PRESENTING*

MOST IMPORTANT THING BEFORE ANY PRESENTATION

MR. BACHCHAN UNCLE KO SHREE SURI SIR & VARSHAG KE DWARA YAH KAHAANEE 16 VARSON SE BHEJ RAHA THA,

+ YAH DONO HI PURN VISHWASHEE HAIN,

INHONE MERI HAMESHA HELP KI' MARGDARSHAN KIA

ATAH

INHEIN KISEE BHI TAUR PAR LOG SUSPISION SE NA DEKHEIN

AAP KAH PUCH SAKTE HAIN,

PHIR INKA JIKRA KARNE KI KYA AVASHYAKTA THI

TO

BAAT YAH HAI

KI

MATTER ITNA BADA HAI KI MAIN VARSON SE KIS SOURCE SE PRAYATN KAR RAHA THA'

&

WAH SOURCE FAITHFUL THE & HAIN BHI

AB BHI HAIN !!

ISLIE SABON KE SAMMAAN KA KHYAAL RAKHTE HUE APNEE BAAT PRESENT KAR RAHA HUN !

**

PRODUCER TALAASHNE KE KRAM MEI RACHNA LEAK HUI,

VYAJYANTHI MOVIES NE ISKO GRAB KIA'

APNE SON-IN-LAW KO PRAMOTE KARNE KE LIE

MUJHE VYAKTIGAT TAUR PAR KISEE KA SAMMAAN AAHAT KARNE KA KOI SHAUK NAHI HAI,

MAGAR FACT KI CHARCHA KARNE KE LIE ITNA KAH RAHA HUN !

UNKE TO DIRECTOR PAHLE SE THE, EXTRA BENEFIT KE LIE YAH SAB KARNE KI KYA AVASHYAKTA THI !!

THE GREAT GOD : ANAND HI ANAND

"AAPKO MALOOM HONA CHAHIE KI IS KAHAANEE KE EK PRAMUKH PAATR KA NAAM "AMITABH ANAND" HAI !!"

ANAND MAHINDRA SIR, AAPNE BHI EK DIRECTOR DWARA PRASTUT ADBHUT KAHAANEE KO SUNKAR EK BAAR BHI NAHI SOCHA KI AISEE KAHAANEE KISEE LEKHAK SE PAHLE DIRECTOR KE PAAS KAISE AA JAATEE HAI ..AAPNE SUPPORT KAR DIYA !

IS PRAKARAN SE AAPKO SEEKHNE KA MAUKA MILEGA KI MULBHUT SATYA SE ADHIK AKARSHAK SATYA PAR VISHWAS KIYA JATA HAI, MAGAR WAH KSHANIK MAATR HOTA HAI ..MUL SATYA KA STHAAN KOI NAHI LE SAKTA !