WRITER

 

Philospher

Astro reader

Writer

PHILOSOPHY

Sahi Sahi hai galat galat; galat ko sahi kia to jaa sakta hai magar sahi thahraya nahi jaa sakta.

Apraadh ko kisi bhi philospy mei justify nai kia jaa sakta.

&

Awaanchhit rup se ki hui galti, galti se ho gai galti, jaan bujhkar ki gai galti ke lie vividh dand ki paribhasa tay ki jaa sakti hai magar samaan desh, kaal, paristhiti mei uss galti ke dusparinaam samaan hote hain. Isliye galtiyon ka ganit chahe jo ho uske parinaam samaan situation mei samaan hote hain.

'Agar koi kaam mere dwara na hoker kisi aur ke dwara ho gaya to kya hua uss karya ka uddeshya to pura ho gaya'

Yah sab philospy mangadhant mansukh dene waali philospy hai.

Is prakaar to Adhikaar shabd ka arth hi khatm ho jaega; Bairaagiyon waalee bhasa bhautikwaadee duniya mei nahi chalti; Visheshkar tab jab iska labh Bhautikwaadee log uthaen; usme bhi jab bhautikwaadee log Bhautikwaad ke lie iska labh uthaen tab to yah aur bhi haasyaaspad aur purn anuchit ho jaata hai.

Yah to wahi baat hui kisi ko loot lo phir kaho is duniya mei khaalee haath aae ho khaalee haath jaana hai. 

Pravachan aur Suvachan ke chhadm mei Anyaay ki raksha nai ho sakti.

Aur sach to yah hai ki Anyaay ki raksha kabhi nahi ho sakti.

Agar aapka bachcha koi aur paal poskar aapse uske apna Bachcha kahne ka Adhikaar bhi chheen le to kya Aap is Aapbeeti ko Sahi thahra sakte hain. Ajee ! Sahi thahrana to dur is Aapbeeti ko aap bardasht bhi nai kar paaiega.

Achche karya achche tareeke se hi sampann hote hain ! Yadyapi desh-kaal-paristithi ke anusaar saam-daam-dand-bhed apnana pad sakta hai aisa Ishwar ko bhi karna pada tha magar yah routine work yaa routine situation mei nahi balki anivarya aprihaarya condition mei wo bhi conditionaly sahi hai !

@ STEALTHERAPY : HOW TO STEAL A STORY

@ IN PREVIOUS DAYS INDIA HAS BECOME EXPERT IN STEALING THERAPY.

@ MUL KI COPY KARNA PURANE JAMANE KI BAAT HO GAI HAI, ISKE ADVANCE TAREEKE ISTEMAAL KIE JATE HAIN JO PAHLE NAHI KIE JATE THE YAA KAM KIE JATE THE

ASSEMBLING A SIMILAR OR PARRELAL STORY

USS CHEEJ KE SIMILAR, PARALLEL CHEEJ BANANA

BRAIN MAPING AND USE TO TRY ITS CREDIT, BECAUSE THEY DO NOT HAVE SUCH CREATIVE BRAIN SO USE AND STEAL OTHER S BRAIN FOR BENEFITS; ORIGINALY SMART CHEATERS OR SIMILAR INTELLECTUAL CRIMINALS*

AGAR AAP SEEDHE TAUR PAR KOI VASTU YAA KUCHH BHI CHOREE KARTE HAIN, AAP CHOR KAHE JAENGE. IZZATDAAR LOG IS PRAKAAR KI HARKAT IS TAREEKE SE SABSE KAM KARTE HAIN, KYUNKI IN SAFEDPOSH LOGO KO APNI CHHAVI KI BAHUT CHINTA RAHTI HAIN. ISLIE WO ISSE ADVANCE TAREEKON KA PRAYOG KARTE HAIN*

SATYUG HO YA KALYUG PAAP TO RAHA HAI, PAAP KI KAMAI SE PATA NAI KAUN SA PUNYA KARNA CHAHTE HAIN YE LOG

SATYA KO ASATYA SE NAHI HARAYA JA SAKTA, SATYA KO MAUN YA SHABD SE BHI PARAJIT NAI KIA JA SAKTA; SATYA IMMORTAL HAI*

A BRIGHT ERA OF THE INDIAN CINEMA

"@ SAARTHI : 'DWAAPAR KE SAARTHI' NE ARJUN KO UPADESH DIA AUR DHARM KE LIE YUDH PRERIT KARNE KO KAHKAR EK YUDH KI IKSHA NA RAKHNEWALE ARJUN KO BHI YUDH KE LIE PRERIT KAR APNE HI PARIVAARJAN MAGAR ADHARMEE KAURAVON SE YUDH KARNE KE LIE NA SIRF PRERIT KIA BALKI SAATH HI APNE PARTH ARJUN KA SAATH BHI DIA. MAGAR MERE MAAMLE MEI 'KALYUG KE SAARTHI' NE UPADESH TO MUJHE HI DIA MAGAR JAB RAN KI BAAREE AAI TO KAURAVON KA SAATH DENE CHALE GAE AUR MUJHE HI ASATYA THAHRANE AUR MUJHI MEI SAARI GALTIYAAN DHOONDHANE AUR MUJHPAR HI SARA KROADH UTARNE MEI LAGE HAIN/KE BAHAANE DHOONDH RAHE HAIN. MANO APNI KAHAANEE KI SAAREE STORY STEALING KA RESPONSIBLE MAIN HI HUN. WAAH ! SAARTHI !"

**

A BLACK ERA OF THE INDIAN CINEMA

 

THE GREAT GOD EVENT CLEARED STORY S STEALTHERAPY OF INDIAN CINEMA

AND

THIS THERAPY HAS BEEN SO HUGE KI INHONE BHAGWAAN KO BHI NAI CHORI, ISHWAR KA BHI SHIKAAR KAR LIA

THE STORY STEALTHERAPY HAS BEEN GONE TO TOP LEVEL 

THAT

ISKE UDDHAAR KE LIE BHAGWAAN KO SWAYAM AANA PADA

ISHWAR KO ABHIMANYU KI TARAH YAH DARD SWAYAM PAR SWAYAM HI LENA PADA

THE GREAT GOD HAS BEEN HUNTED BY STORY RAPIEST AND IT WILL BE THE LAST MOST VALUABLE WRITING PRODUCT OF INDIAN CINEMA THAT HAVE BEEN HUNTED BY STORY RAPIEST

BHAARTIYA FILM KE ITIHAAS MEI AAJ KE BAAD ISSE BADI KAHAANEE KABHI DIVERTED, CHORI NAI HOGI KYUNKI IS GHATNA KE BAAD WRITERS APNI RACHNA INDUSTRY KE TOP OF THE TOP TAK BHI PAHUNCHANE MEI DARENGE

KYUNKI 

ALBATTA KI SABHI WRITER KI KAHAANEE PAR HI KAAM KAR RAHE HONGE, SABHI SACH KO JANTE BHI HONGE, PHIR BHI SABO KA VARAD HASAT WRITER PAR NA HO STORY RAPIEST KE SAATH HOGA

BRAHMASTRA AND PROJECT K @ KALKI 2898 AD ARE EXAMPLES

BRAHMASTRA WAS STARTING OF LEAK S LEAKAGE BUT PROJECT K @ KALKI 2898 AD CONFIRMED IT

INDIAN CINEMA IS GOING THROUGH A BLACK ERA

"BHAARTIYA FILM INDUSTRY KAHAANEE CHORON KA ADDA BANKAR RAH GAI HAI"

WHERE STORY WRITER HAS NO PROPER RESPECT IN INDUSTRY

THEY ARE TREATED LIKE A WORKER

THEIR IDENTITY HAS BEEN TAKEN FROM THEMSELVES

WRITERS ARE ALSO RESPONSIBLE FOR THIS SITUATION AND THIS POSITION

IN INDIAN FILM INDUSTRY, STORY HAS BEEN TAKEN THROUGH PRODUCER AND DIRECTORS, OR VIA THROUGH PERSONS/FAVOURITE PERSONS OF STARS

THEY TAKES ADVANTAGE AND BENEFIT OF THIS SITUATION AND TRY TO BECOME PART OF IT, IF WRITER IS NOT READY THEY REJECT HIM, IF STORY IS TO GOOD THEY TRY TO MOLD AND REMIX IT, SUMMARY THEY TAKES ALL THE CREDITS ANYHOW IN THIS MANNER

FOR CHANCE WRITERS ARE DEPENDENT ON THEM

SO MANY PRODUCER AND DIRECTORS AND SO CALLED NEAR BY FAVOURITE PERSONS OF STARS DOING CASTING COUTCH OF STORY AND HAS BECOME STORY RAPIEST

WRITERS HAS LOST THIER SELF CONFIDENCE, ARE NOT DOING WELL IN NATURAL WAY, HIDDING THIER ICON ART

BUT 

I TRIED AND FOUGHT MY BEST

EVEN IF I KNEW THE SITUATION

BUT BELIVED 100 PERCENT THAT THERE WILL BE ANY WAY WHERE AN ICON ART MAY BE PRESENTED

BUT

ONE BY ONE

MY MANY WRITING ART REMIX, DIVERTED BY SUCH TERMS

SO INDIAN CINEMA IS GOING THROUGH A BLACK ERA OF THE INDIAN CINEMA

THE GREAT GOD @ WRITER S TRUTH

 *VYAKTI, SAMUH, SAMAY, GYAAN KI APNI SHAKTI HAI MAGAR ISSE BHI UPAR KI SHAKTI HOTI HAI SATYA KI, AUR SABSE UPAR ISHWAR KI*

*SATYA KO VYAKTI, SAMUH, SAMAY TO KYA GYAAN TAK SE BHI NAI PARAAJIT KIA JA SAKTA YAH AVIJIT HAI*

THE GREAT GOD @ Astro Proof compare

TG @ THE GOD @ THE GREAT GOD

PLANET POSITION ON FACEBOOK

Kundali position

Leak @ Project k @ Kalki 2898 AD

Astronomy ke anusaar kisi bhi kundali ke planet se uske kisi bhi main event day ke planet specialy main lagna kundali, Bhava/niryana bhav, navmansha se match karte hain. is base par hi vishwa ke tamaam kundali prediction kie jate hain. may see and match.

compare with

Teasor announcement 20:07:2023

Prior release date 12:01:2024

Second release date 09:05:2024

sur

SUR film

song

Aa Bhi jaa ai subah Aa Bhi

https://www.youtube.com/watch?v=uJ87GrS9A1c&pp=ygUeYWEgYmhpIGphIGFhIGJoaSBqYSBoaW5kaSBzb25n

http://aknayan.blogspot.com/2023/07/sukraat.html?m=1

http://aknayan.blogspot.com/2023/07/julius.html?m=1

Similar

 THE GREAT GOD

@ Project @ Kalki 2898 ad

https://youtu.be/seJ-_eiKxDo

@ Julius

When julius was defending himself and did not stop fighting to save himself, his Most faithful Brutas came in front of him and attacked on him, Surprised and socked Julius did not fight afterthat and  there were his last words before death : Brutas ..you too/"Tum bhi Mitra"

https://www.youtube.com/watch?v=uyVx7fhvTxI&pp=ygUTanVsaXVzIGNhZXNhciBkZWF0aA%3D%3D

http://aknayan.blogspot.com/2023/07/sukraat.html?m=1

http://aknayan.blogspot.com/2023/07/sur.html?m=1

Sukraat

@ "INSAAN KA SHAREER KHATM HO SAKTA HAI USKE VICHAAR NAHI"

https://www.youtube.com/watch?v=TMgkyPKzNcg&pp=ygUGc3VrcmF0

https://www.youtube.com/watch?v=XhnOU6sPGOI&pp=ygUGc3VrcmF0

http://aknayan.blogspot.com/2023/07/sur.html?m=1

http://aknayan.blogspot.com/2023/07/julius.html?m=1

RESEARCH INVENTION DISCOVERY

 A RESEARCH TAKES SHAPE AND VICTORY BY WINNING AND FAILURE BOTH THE TERM AS WILLINGLY OR UNWILLINGLY.

BRAIN DESERVE CREDIT TO FULFILL THE DESIRE.

BRAIN IS MASTER KEY OF RESEARCH AND INVENTION THAT TAKES US AS DISCOVERY AND SUCCESS.

WHAT IS THE MEANING OF SUCCESS. IN RESEARCH DISCOVER AND INVENTIONAL TERM FAILURE IS ALSO A SUCCESS WHERE IT CLEAR THE PATH TOWARDS SUCCESS.

WHO SHOULD BE MUCH OR MOST CREDEDTIBLE FOR IT.

THE BRAIN 🙏🏻🙏🏻

ADOPT INSPIRE IMITATE

ADOPT INSPIRE IMITATE ARE BEHAVIOUR BUT NOT THE CULTURE OF DISCOVERY. IT MAY BE USED IN PROCESS BUT IT IS NOT THE PROCESSING METHOD AND CULTURE.

WE SHOULD UNDERSTAND DIFFRENCE BETWEEN ALL THE TERMS.

IDEA THEME CONCEPT

 *What is difference among these ?

A1 AI

WHAT IS DIFFRENCE BETWEEN A1 AND AI*

A1 COMES THROUGH SENSE AND AI COMES THROUGH DATA BASE AND RECORDS**

TRUTH REMAIN ALONE

TRUTH REMAINS ALONE, SATYA AKAYLA HI HOTA HAI ...

KYUNKI ISME AGAR KUCH BHI MILA DIA JAE TO PHIR YAH PURN SATYA NAHI RAH JATA ..

EK ADHURA SATYA, EK MATIBHRAM, EK BHRAM ..EK MITHYA SATYA KA RUP DHAARAN KAR ..BAHURUP WALA ..BAHURUPIA SATYA BAN JATA HAI*

BRAIN AND CREATION

BRAIN AND CREATION ARE SUCH INTANGLED EACH OTHER, A BRAIN HAS UNLIMITED POSSIBILITIES TO CREAT ANY NEW IDEA & THINGS SO THERE ARE UNLIMITED POSSIBILITIES OF IDEA, CREATION*

AND IT MEANS THIS FARMULAE ALSO COMES FIT IN STORY  CREATION*

SO

IF SOMEONE SAYS THAT THERE ARE LIMITED IDEAS IN STORY WORLD ARE A FAKE TRUTH*

STORY & SCRIPT

 

**WHAT IS DIFFRENCE BETWEEN STORY & SCRIPT**

ANALYSIS

COMING SOON**

STORY FORMATION SYSTEM

KAHAANEE

KAHAANEE AAMTAUR PAR REGULER CHARCTER SE HI BANAI JAATEE HAI. EK ACHCHI KAHAANEE ISPAR BHI BASED HOTI HAI. INME KAHAANEE MAHATWAPRN HOTI HAI AUR PAATRA KAHAANEE KO RELATE AND MOTIVATE VAGAIRAH KARTE HAIN. MAGAR JAB INME VISIST PAATRA AUR PAATRA COMBINATION KI SHAKTI MIL JAATEE HAI TO VISHIST MEI VISHIST KAHAANEE BANNE LAGTEE HAI.

KAHAANEE KI KAHAANEE

KAHAANEE CHAAR PRAKAAR KI HOTI HAI

1 STORY WITH REGULER CHARACTERS

2 STORY WITH COMBINATION OF CHARACTERS

3 STORY WITH CHARACTER BASED

4 STORY WITH ABOVE ALL COMBINATION

INSPIRED STORY

EK KAHAANEE se ADOPT KAR USSE MILTI JULTI KAHAANI ATHWA USKE PAATRA MUKHYATYA VISHIST PAATRA KO KENDRA BANAKAR ATHWA LEKAR LIKHI GAI KAHAANEE INSPIRED KAHAANEE HOTEE HAI.

MIRROR STORY

EK KAHAANEE KE MIL JAANE KE BAAD USKE THIK ULAT MEANS ULTA YAA VIPRIT KAHAANEE BANANA BHI ADOPTION HI HAI. BILKUL USI PRAKAAR JAISE AAINE KE SAAMNE KHADE HONE PAR HUM APNE CHEHRA DEKHTE HAIN YAA SAAMNE SE KOI HAMAAREE TASWEER LETA HAI + TO USME BANAAM WAISE MEIN HAMAARA CHEHRA WAHI MAGAR PRATIBIMBAATAMAK PRABHAAV KE KAARAN ULTA NAJAR AATA HAI. MUL KE BINA PRATI MUL PADAARTH KE BINA PRATI PADAARTH KI UTPATTI NAHI HO SAKTI SE ADHIK BADA AUR SAHI SATYA YAH HAI KI MUL KE SAATH PRATI MUL PADAARTH KE SAATH PRATI PADAARTH KI UTPATTI HO JAATEE HAI*🕉️🌟

THE GREAT GOD

THE GREAT GOD @ THE GOD

By AMIT KUMAR NAYNAN

A EXTRAORDINARY DIVINE STORY

COMING SOON IN A NEW VIDHA 'AB'

"TUMME BHI MAIN HUN"

'HUM HAIN USKE SAATH KHADE JINKI REEDH KHADEE HO'

'KOI TO RAASTA JAROOR NIKLEGA'

'BAAT BHAROSE KI HAI'

'BHAROSA HAI TO SAB HAI'

'SURAKSHA KAHI BHI NAHI HAI'

'YE ANDER KI BAAT HAI'

MR BACHCHAN UNCLE SAADER PRANAAM @ WITH LOVE RESPECT REGARDS*

AGAR AAJ THE GREAT GOD  LEAK KE BARE MEI NAI KAHA TO KAL THE GREAT GOD KO HI ADOPTION KA & KE LIE JIMMEDAAR THAHRAENGE

FIRST IMPRESSION IS THE LAST IMPERESSION

AUR

YAHI BAAT RACHNA MEI BHI LAAGOO HOTI HAI

'BRAHMASTRA' KI RELEASE SE PAHLE JAB KAHA THA KI STORY LEAK HUI HAI TO KAI NE VISHWASH NAHI KIA

KYUNKI

SCIENCE + MYTH ++++

YAH LEAKESE KI SHURUAT THI

AB JABKI 'PROJECT K' AA RAHI HAI IT IS CLEAR KI ISKE CHARACTERISATION + STORYLINE TAK ISME MAUJOOD HAIN

SCIENCE + MYTH

MAHABHARTA  WAR @ WORLD WAR+S

TIME MACHINE TIME CYCLE KAALCHAKRA

SUDARSHAN CHAKRA

KALKI avatar

AB TO PROJECT K KA OFFICIAL TITLE BHI KAALCHAKRA aur KALKI/KALKI AVATAAR AA RAHA HAI

MORE THAN IT*

'WOH JO MAR GAYA WAH MAIN THA JO MARA GAYA WAH BHI MAIN THA AUR YUGON YUGON TAK ASHWATHAMA KE JAKHMON KI TARAH RISTA RAHUNGA WAH BHI MAIN HI HUN'/WORLD WAR' ATOMIC WAR' HIROSHIMA NAGASAKI WAR ...

MORE THAN IT*

ALL TIME

@ SUKRAAT KO VIS AVASHYA PEENA PADA THA MAGAR WO ISSI EVENT KE KAARAN WAQT KE HAR PANNE PAR AAJTAK MAUJOOD HAI

̤@̤ I̤S̤A̤A̤ M̤A̤S̤I̤H̤ K̤O̤ S̤ṲL̤I̤ P̤A̤R̤ C̤H̤A̤D̤A̤A̤N̤A̤ H̤O̤,̤

̤S̤ṲK̤R̤A̤A̤T̤ K̤O̤ V̤I̤S̤ P̤E̤E̤N̤E̤ K̤E̤ L̤I̤E̤ M̤A̤J̤B̤O̤O̤R̤ K̤A̤R̤N̤A̤ H̤O̤,̤ 

̤E̤I̤N̤S̤T̤E̤I̤N̤ A̤D̤H̤ṲR̤I̤ T̤H̤E̤O̤R̤Y̤ K̤O̤ P̤ṲR̤A̤ K̤A̤R̤ A̤T̤O̤M̤ B̤O̤M̤B̤ B̤A̤N̤A̤N̤A̤ H̤O̤,̤ 

P̤H̤I̤L̤A̤D̤E̤L̤P̤H̤I̤A̤ E̤X̤P̤E̤R̤I̤M̤E̤N̤T̤ K̤E̤ T̤I̤M̤E̤ T̤R̤A̤V̤E̤L̤L̤E̤R̤ EDWARD CAMERON +̤ EDWARD CAMERON KA A̤L̤ B̤A̤L̤IE̤K̤ B̤A̤N̤ KAHE S̤A̤T̤Y̤A̤ K̤A̤T̤H̤A̤N̤ K̤O̤ M̤A̤J̤A̤A̤K̤ S̤A̤M̤AJ̤H̤AN̤A̤ H̤O̤ .̤.̤.̤

̤S̤A̤A̤R̤E̤ E̤V̤E̤N̤T̤ A̤L̤L̤ T̤I̤M̤E̤ H̤I̤T̤ H̤A̤I̤N̤ K̤Y̤ṲN̤K̤I̤ W̤O̤H̤ S̤A̤T̤Y̤A̤ J̤I̤S̤K̤A̤ V̤A̤R̤T̤M̤A̤A̤N̤ S̤A̤M̤M̤A̤A̤N̤ N̤A̤I̤ K̤A̤R̤T̤A̤ W̤O̤ P̤R̤A̤T̤Y̤E̤K̤ K̤A̤A̤L̤ K̤E̤ V̤A̤RT̤M̤A̤A̤N̤ P̤A̤R̤ R̤A̤A̤J̤ K̤A̤R̤T̤E̤ H̤A̤I̤N̤*̤

http://aknayan.blogspot.com/2023/07/the-great-god.html?m=1

http://aknayan.blogspot.com/2023/08/tg_22.html?m=1

http://aknayan.blogspot.com/2023/07/the-great-god-writer-s-truth.html?m=1

http://aknayan.blogspot.com/2023/07/the-great-god-astro-proof-compare.html?m=1

http://aknayan.blogspot.com/2023/08/tg.html?m=1

http://aknayan.blogspot.com/2023/08/tg_11.html?m=1

http://aknayan.blogspot.com/2023/08/100.html?m=1